In 2002 he was elected a corresponding member of the American Musicological Society, and he is a former president of the Royal Musical Association. John has also taught at the Universities of Princeton and Chicago.Ī Fellow of the Royal College of Organists, John continues to be active as both a performer and a broadcaster. John Deathridge was King Edward Professor of Music at King’s College London from 1996, having previously been Reader in Music at the University of Cambridge and a Fellow of King’s College, Cambridge. A recording of Planet of Dragons – featuring lyrics by Bettina and music by Arnold Fritzsch – won both the Leopold Prize and the Berlin Art Prize in 2014. ![]() In 2008 she directed the Neukölln youth project ‘Mozart’, winning the Berlin Award for Integration and Tolerance. Bettina has lectured at numerous universities throughout her career, most recently in Berlin, Leipzig, and Tallin. Since 1999 Bettina has worked at music schools in Kreuzberg, Pankow, and Neukölln, and since 2000 she has worked with people with learning disabilities at Theatre RambaZamba in Berlin. Since 1985 Bettina has written adaptations of classical opera librettos for Komische Opera Berlin, Hamburg State Opera, and Gärtnerplatztheater Munich, mainly in collaboration with Werner Hintze. She has worked with directors Peter Konwitschny, Gisela Höhne, Antje Kaiser, Anselm Weber, Arila Siegert, Wolfgang Ansel, Tatjana Gürbaca, Michiel Dijkema, Horst Kupich, and Jochen Biganzoli on opera productions in Graz, Hamburg, Essen, Amsterdam, Barcelona, and Vienna. Bettina was the head dramaturg of Brandenburg Theatre from 1998 to 2000, and the director of drama at Leipzig Opera from 2008 to 2011. Bettina Bartz – Dramaturgīerlin-born Bettina Bartz graduated in theatre studies from Humboldt University, Berlin, in 1983. ![]() ![]() Iain’s recordings include The Hidden Place, featuring Diana Damrau and the Vienna Radio Symphony Orchestra. Iain made his Royal Opera House debut in 2016 with In Parenthesis, commissioned and performed by Welsh National Opera. His works have been performed at leading venues worldwide, including Wigmore Hall, Carnegie Hall, and the Munich Opera Festival. Iain’s other works include the opera A Christmas Carol (Houston Grand Opera, 2014, starring Jay Hunter Morris and directed by Simon Callow), the orchestral song cycle A Litany in Time of Plague, and the chamber song cycles Cradle Suite, Day Turned into Night, The Undying Splendour, and These Motley Fools. He is best known for his vocal music, and he has developed a close artistic relationship with Diana Damrau, for whom he wrote the Daughters of Britannia (European Music Festival, 2007) and The Hidden Place (Theater an der Wien, 2009), as well as the opera The Harlot’s Progress (Theater an der Wien, 2013). London-born composer Iain Bell started composing when he was just four years old.
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